“The Unwinding: An Inner History of the New America” by George Packer (Farrar, Straus and Giroux, 448 pgs., $27)

George Packer’s new nonfiction book, “The Unwinding: An Inner History of the New America,” has many of the qualities of an epic novel.

Packer’s subject is the last 35 years of U.S. history, the decades that gave us the conservative “Contract With America,” an Internet boom and bust, two wars in Iraq and a Great Recession. They were the best of times, and they were worst of times, and in Packer’s able telling it’s as if Dickens himself were taking a first crack at fitting all that history into a book.

Packer, a staff writer at the New Yorker, begins with a series of newsreel headlines in the fateful year of 1978 and follows the stories of several Americans to the present. It’s a book about all sorts of people, rich and poor, getting caught up in a constant storm of economic upheaval and social revolution. Everything around them is changing, and much that’s dear to them is being destroyed. Packer tells their stories in a thoroughly professional work of journalism that also happens to be more intimate and textured — and certainly more ambitious — than most contemporary works of U.S. fiction dare to be.

“His mind filled with visions of a decadent kleptocracy in rapid decline,” Packer writes, describing the thoughts of one of the many people whose story he tells — in this case, Matthew Weidner, a small-time Florida attorney waging a solitary fight against the faceless corporate lenders foreclosing on overextended homeowners. The injustices Weidner sees in one Tampa courthouse anger him. In Packer’s hands, his rage becomes a long, dark soliloquy about the direction his country is headed: “America’s masses fed on processed poison bought with a food stamp swipe card … the banks in Gotham leeching the last drops of wealth out of the country, corporations unrestrained by any notion of the national interest, the system of property law in shambles. …”

The modern U.S. isn’t quite a kleptocracy, but it is a country spinning out of control as its leaders embrace the notion that what’s good for Wall Street must be good for Main Street. In “The Unwinding,” Weidner is one of several people trying to keep career and family together through boom times and bad times. Packer’s other subjects include a Youngstown, Ohio, factory worker; a family on the verge of homelessness in Tampa; a gay, conservative Silicon Valley entrepreneur; and an idealistic lawyer whose earnestness takes him, fleetingly, to the highest circles of political power.

Plenty of other writers have told the story of America’s economic decline. The late Pax Americana has produced reams of books in which authors use real people to tell anecdotes that illustrate this or that theory of our modern-day malaise. What distinguishes “The Unwinding” is the fullness of Packer’s portraits, his willingness to show his subjects’ human desires and foibles, and to give each of his subjects a fully throated voice.