The title of the new series “Pond Stars” may just sound like an easy play on the already running “Pawn Stars,” but it is very serious about the pond part of its name.

The Nat Geo Wild channel show is about guys who make elaborate backyard ponds, streams and other water features — two projects per hourlong episode — and they do it from a business based in St. Charles, Illinois.

In fact, Greg Wittstock, head of the company, Aquascape, says he owes his business, his big west suburban house and, now, his TV renown to an article on him that appeared 22 years ago, in The Chicago Tribune’s old Tempo DuPage section.

Now he’s trying to turn his experience into that modern next step, a role on television playing, pretty much, himself, alongside his two longest-serving employees, Brian Helfrich and Ed Beaulieu.

Asked if he is “a little on pins and needles” about being picked up for a second season, Wittstock said, deadpan: “Not at all. We are totally on pins and needles.”

Throughout the process of filming a reality TV show, he’s seen valued, veteran co-workers quit, “jealous” that they weren’t part of the TV show. And he’s learned the ropes of reality, which is more about delivering a TV show than producing a dispassionate documentary.

What follows has been edited and condensed for clarity.

Q: What do you think of the show name?

A: At first I hated it, but it’s kind of grown on me. We gave them 75 different names to choose from. “The Aquascapers.” “Koi Boys.” “Pond Guys” is kind of the traditional one. “Pondemonium.” Yeah. You know what? I’m OK with the name. They’re very happy with the name, so that’s OK.

Q: It does speak to the reality audience.

A: I guess so. This is their business. It’s not mine. And Hollywood is a wacky world. I’m a business guy. I’m a CEO of a company. And this is very creative, artistic. It’s a different process.

Q: How did it start? How did you get the reality show?

A: There was a producer out in L.A. surfing the Internet, wanting to buy plants for her pond. She stumbled across our YouTube channel, Aquascape No. 4, and watched a couple of videos. Then she saw the video of Brian’s backyard, which has a couple of hundred thousand views, and said, “These guys, they should have their own show.” This is not something new for us. Everybody’s been saying, “You’ve got to do a reality show,” for years. And we’d actually gone through and filmed a pilot before that never came to fruition.

Q: OK, so this producer sees this YouTube thing. Then what happens?

A: We signed a contract with them to pitch the show, and nothing happened. That was December of 2012. And nothing happened until fall of 2013, when things started heating up. And then in January of 2014, Animal Planet purchased our show, paid for a production company to produce a miniepisode. And then after that got produced, they chose not to run with our show, and we ended up finding a manager, and he took us to Nat Geo Wild, and Nat Geo Wild picked us up.

Q: Was that with the original production company?

A: The original production company is just being paid, but they’ve never produced any footage. Yes, it’s a wacky Hollywood role.

Q: You get the money, but you don’t have to do the work. So what did you think when they said they wanted to pick it up?

A: Ah, well, yeah! We had no idea what to think, and when we started to do it, we were blown away by the process of making a reality show. It was a thousand times harder than any of us could have ever imagined.

I had to rechange my context, that I was (now) shooting a reality show and every once in a while getting to build a pond.

Q: Yeah, I wondered about that. How much does it interfere with your ability to actually do your business?

A: We need to focus on producing a show, and this is my job as the CEO of the company now. I have a president that fortunately runs the company day to day. But whatever we were doing before the show, we’re not going to be doing whenever the show starts filming.

Q: So you’re just working on these specific projects (in the episodes).

A: Yes. Setting them up. Filming them. Even when you’re not filming them outside, you’ve got to do pickups and OTFs, on-the-fly interviews, just so they can sync all this stuff together. So it’s a full-time job.